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I recently interviewed Jay Licthy for Mel Bay’s ukesessions and shortly after Jay sent me a low g tenor uke to check out. Since I don’t do instrument reviews as part of the interviews I thought I would post it here. Jay seems like a really good guy and he certainly took a great deal of care building this uke.
Here’s my review:Review of T-24 UkuleleBuilt by Jay Lichty http://lichtyguitars.com/I came across Jay Lichty’s website while looking for ukulele builder’s to interview for Mel Bay’s Ukesessions.com website. During the interview Jay mentioned that he was sending a just completed uke on a road trip and asked if I would be interested in having it for a couple of weeks. Not being one to turn down the chance to play a high end instrument, especially to get to really know it over an extended time, I immediately said I’d be happy to have it for a while.Jay is a pleasant guy that truly enjoys building musical instruments & he was quite willing to share information, building tips and answer any and all questions. I am confident that he treats everyone in the same way, especially if your are talking about instruments, his or others.The day the uke arrived was a very warm day for January, I didn’t have to wait to open the box. The first thing I noticed was how great the finish looked. Jay uses EM6000, from Target Coatings, a water-based lacquer. We had talked at length about this finish, and I was skeptical as I had had bad experiences with water-based lacquer in the past, and had sworn I would never try it again. The finish is hard and very glossy, with no blue tint often found with other water-based finishes. It looks and feels so good that I am going to give it a try very soon. I give Jay credit for doing a great job of using the finish to it’s best advantage.As I looked it over more, it was obvious that Jay does tremendous work. The joints were perfect, not a sign of slop or of covering anything up anywhere on the instrument. The binding and rosette are well executed, done as perfectly as you could ask. Jay’s fretwork is excellent, every fret is properly seated on the fretboard, the frets are leveled and crowned beautifully. The bone nut and saddle functioned perfectly and were well polished to give a very nice finishing touch. The Gotoh tuners operated smoothly and matched the look of the rest of the uke well. It has a string-through bridge, which is a very nice feature, and gives a much cleaner look than the various tie-on bridges and the “too big” look of using guitar bridge pins. This design also eliminates the chances of the bridged breaking where the strings are tied on, and reduces the chances of string torque pulling the bridge up.Looks are important, but the real test is how does it feel and sound. Since “the best” is subjective, I won’t make that claim for any instrument. This ukulele is Jay’s T-24, low “g” model. I hadn’t played a low g uke before, so I was quite interested to hear it. The sound is rich and full, the low g lent a bit more “guitar” quality to the sound than I was used to from a ukulele.It took a little playing time to get used to the sound of the low g, it is very different from a high g uke. The T-24 sounded very good, rich, warm and full, with an even and balanced volume and tone across all the strings. After getting used to the sound, I realized that the high and low g can’t really be compared, because they are very different. One is not “better”, they are just different. While not the best analogy, it’s somewhat like the difference between 6 and 12 string guitars. Is one better? No, just different. One, or the other, may work better in a particular setting, but both can be excellent instruments.This is how you explain the need for more than one instrument, and a good reason to get a matched set, one low g and one high g. The T-24 felt great to play, the action was nice and low with no buzzing. The neck was very comfortable in my hand, the 17″ tenor scale allowed plenty of room to maneuver for my large hands and fretting was quite easy. The string spacing allowed plenty of room for playing adjacent strings cleanly. Jay has done a great job on this uke, it is one that I would be very happy to own. Jay presented himself very professionally, I would have no hesitations placing an order with him. __________________
Joe Mendel |
Read the entire review at UkulelePlayerMagazine.com
“If you want a luthier-built instrument that is made to last, take a serious look at Jay Lichty’s ukuleles. This is a custom-made uke that you won’t have to treat with kid-gloves. This is a working musician’s ukulele. A Jay Lichty uke would be a great addition to anyone’s collection.” – Mickey Mcguire
Brazilian Rosewood back and sides, Curly redwood top, ebony fretboard and bridge, koa binding, maple rosette
Is your Lichty being played professionally or is it for casual playing? I play the Lichty for my own enjoyment.
How would you describe the sound? It has the best sound of all my custom ukuleles, of which I have 3 others. The sound is very warm with good projection.
How would you describe action / playability? The action is perfect and is one of the easiest to play ukes I’ve ever had.
How would you describe the craftsmanship & finish? Craftsmanship is perfect. My instrument has no defects at all and the finish is gorgeous.
Any comments about reliability/durability? I haven’t tried to run over it with my car, so I can’t comment on the durability. I believe if I treat it nicely, that it will last longer than I will.
How would you describe/rate working with Jay in the build process? Working with Jay was the best experience that I’ve had so far with a luthier. I’ve had 3 other custom ukase built and Jay was always very quick to respond to my questions and he delivered my uke BEFORE schedule, which was a wonderful surprise.
Overall Rating: 10 out of 10
Closing Comments?
If you want a custom ukulele that will become your favorite after just one strum, get yourself a Lichty ukulele. Trust me. – Julie Strietelmeier
Learn more about Julie at http://ukulelereview.com and http://the-gadgeteer.com/
… Like many custom uke buyers, I wanted something different in my tenor uke. I sent Jay some sound clips of ukes I liked and I have to say he delivered. I enjoy picking/strumming, jazz and Hawaiian, and wanted an instrument that gave balance and clarity among all strings. This uke has it, big time. I was amazed at how clean the uke could sound; my wife instantly heard the difference, noting how distinctive it was compared to my other, Hawaiian built, ukes. This is also—without forcing—a full sound …
I’m thankful that this has been such a brilliant collaboration. Your willingness to work with me every step of the way on the design has resulted in a one-of-a kind slotted peghead tenor ukulele that has elegance, artistic beauty, incredible sustain and the pure voice of an Angel that, in my opinion, is second to none. Understanding that I play honky-tonk and country music with my band and that I wanted a super full sound with emphasis on the mids and with a great low register, you built the perfect ukulele. By choosing a set of Brazilian Rosewood for the back and sides that is, in and of itself, a work of art and pairing that up with a beautiful Curly Redwood top you achieved just the look and tone I was after. Not only is she beautiful, but her tone, clarity, boldness of sound and absolute “purity” on every note and chord is perfect. I’m amazed by how big of a voice she has with no vibration or distortion. Jay whatever you did to build and to bring Angel to life, forget it all, as there can only be one! – Paul Ruben, renowned magician and ukulele lover and performer.
See and hear Paul’s custom ukulele
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